Zen Master, Dogen, wrote that every meal has to include a harmony of the six tastes - bitter, sour, sweet, hot, salty, and plain. No one of these is better or more important than the others. Each ingredient has a different taste and a different reason for being part of the meal; they're all important to the end result. And they are comfortably seen as different if only for the reason that the recipe calls for their application in different proportions and/or for their use at different times. Competing ideas or forces of will not with standing, team members, likewise, while all important, may be called to apply their talents and skills in varying degrees and varying times. No one of them will always be the most dominant taste in the final entree.
[Translation] In the studio, the old man and the youth both have to have a place. And given their vastly different perspectives, they must speak to one another over time to work out some degree of reconciliation. This dialogue demands expression and transparency of thoughts and opinions. Ideally, in the course of the debate, the studio and its individuals become more complex and spacious. Ultimately, this is only realized if we appreciate, even embrace, that complexity and accept active responsibility for it at the same time. In the best of studio environments, particularly collaborative ones, the conflict itself becomes creative and perhaps should never be resolved.
Wendy Ornelas, FAIA, offered another perspective: “We can love design and also passionately love management, engineering, construction, contract law, mechanical systems, good plumbing, and assiduous specifications. Can we elevate these different talents and expertise to the same status we traditionally reserve for ‘good designers’? The alternative is a naturally integrative, naturally collaborative, improvisational frame of mind—a jazz mentality—that cultivates invention in all areas of architectural knowledge and production. Great jazz ensembles give every musician an opportunity to riff and solo, not just Miles [Davis].”
As for the problems created by this kind of push and pull of differing opinions >>> Many religious rites begin with washing the hands or sprinkling of water to symbolize the cleansing of intention and the washing away of thoughts and purposes. I suggest that when we feel a “problem” coming on, we run to the washbasin to cleanse our feelings of the moment, and then step confidently back into the evolving stream of the studio.


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